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      <title>Webpac-新進館藏展示</title>
      <link>https://webpac.ntua.edu.tw/newArrivals</link>
      <language>zh-TW</language>
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         <title><![CDATA[1,000 marks]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208803]]></link>
         <author><![CDATA[by Pentagram  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208803'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/050/050029803.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[20th century Indian art:modern, post-independence, contemporary]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208762]]></link>
         <author><![CDATA[Partha Mitter, Parul Dave Mukherji, Rakhee Balaram  2022]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208762'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/050/050002332.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[A big book of small ideas:50 creations by Nendo]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208741]]></link>
         <author><![CDATA[Oki Sato with Geneviève Gallot  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208741'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/050/050002648.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[A transcultural history of art:on images and their doubles]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208763]]></link>
         <author><![CDATA[Jun Li  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208763'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/981/981964580.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Alfred Hitchcock]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208837]]></link>
         <author><![CDATA[Bill Krohn  c2010]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208837'><img border='0' width='95' height='135' src='https://im1.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/224/65/F012246516.jpg&v=4ff570de&w=348&h=348'/></a></td><td valign='top'>Krohn, author of Hitchcock at Work,(2000) offers an introduction to the career of celebrated British filmmaker, Alfred Hitchcock (1899-1980). Beginning with his silent films and early talkies, including The Lodger, Blackmail and Jamaica Inn, Hitchcock’s major works are profiled in the order in which they appeared, covering Hollywood hit films like Dial M For Murder and The Birds, as well as his later work Frenzy and Family Plot. Film stills and set shots are provided throughout in both b&amp;w and color and the volume includes both a timeline of Hitchcock’s life as well as a complete filmography. Distributed by Phaidon Press. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)</td></tr></table>]]></description>
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         <title><![CDATA[Alphonse Mucha]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208764]]></link>
         <author><![CDATA[edited by Agnes Husslein-Arco...[et al]  2014]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208764'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/379/379135397.jpg'/></a></td><td valign='top'>Alphonse Mucha is known largely for having originated Art Nouveau, when his poster of the actress Sarah Bernhardt became a legendary icon of the movement. Mucha went on to design hundreds of pieces in the decorative arts field, but later distanced himself from the style he pioneered, devoting his time and energy to painting. This book presents the full array of Mucha&#39;s artistic contributions - not only his posters and jewellery designs but also his design for the pavilion of Bosnia and Herzegovina at the 1900 world&#39;s fair. The book also contains his works on canvas, which include pastels and frescoes and his magnum opus, The Slavic Epic, a series of 20 paintings depicting the history of his native people. A stunning selection of 700 colour illustrations is accompanied with essays that explore Mucha&#39;s style and inspirations, his transition away from the decorative arts and his forays into photography. Fans of Art Nouveau will treasure this dazzling and unique study of the artist and his contributions to design and illustration.</td></tr></table>]]></description>
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         <title><![CDATA[Amazing rare things:the art of natural history in the age of discovery]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208729]]></link>
         <author><![CDATA[David Attenborough...[et al]  2007]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208729'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/190/190216346.jpg'/></a></td><td valign='top'>The great voyages of discovery of the sixteenth and seventeenth centuries brought European artists face-toface with new and exotic plants and animals, and created an intense interest in the way nature was investigated and recorded. In Amazing Rare Things, Sir David Attenborough explores the history of natural history. With expert curators from the Royal Library, he examines the contributions of four great artists and one pre-eminent collector to this era of extraordinary scientific advances. Beautifully illustrated with a selection of exquisite drawings and watercolours by Leonardo da Vinci, Alexander Marshal, Maria Sibylla Merian and Mark Catesby; and with works collected by Cassiano dal Pozzo, this book examines the engagement between art and nature, from Renaissance Italy to the New World of the Americas. This unique and fascinating book shines a light on the role of artists in our ex</td></tr></table>]]></description>
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         <title><![CDATA[An apparition of memory:Brigitte Lustenberger]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208767]]></link>
         <author><![CDATA[texts by Nathalie Herschdorfer...[et al]  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208767'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51s07k0wleL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Archetypes:essential works of Danish design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208730]]></link>
         <author><![CDATA[Michael Sheridan  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208730'><img border='0' width='95' height='135' src='https://s2.eslite.com/unsafe/fit-in/x900/s.eslite.com/b2b/newItem/2025/02/07/2069_183657686_405_mainCoverImage1.jpg'/></a></td><td valign='top'>Twenty-one portraits of objects from Danish Modernism that remain relevant to this day.<br><br>From 1940-80, a group of Danish architects and designers created a series of mass-produced objects that have the quality of archetypes: basic equipment for daily life reduced to their essential and timeless forms. Created at the intersection of craft tradition and industrial production, these items of furniture, lighting, cookware and tableware remain absolutely relevant and a number of them are still in production.<br><br>A decade in the making,&nbsp;Archetypes&nbsp;offers the reader illuminating and richly illustrated profiles of twenty-one extraordinary designs that are emblematic of Danish material culture: modest, ethical and sustainable. Chapters on each archetype include biographical information on the designer, their creative processes, and detailed descriptions of the objects.</td></tr></table>]]></description>
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         <title><![CDATA[Arcimboldo, Bassano, Bruegel:nature's time]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208765]]></link>
         <author><![CDATA[edited by Francesca Del Torre Scheuch;translations Gerald Brennan, David Graham, Jacqueline Todd  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208765'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51dPLOOdrSL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Artists of the Middle East:1900 to now]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208766]]></link>
         <author><![CDATA[Saeb Eigner  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208766'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/514BJGZOUjL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Avian inspiration:birds in art and illustration]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208806]]></link>
         <author><![CDATA[edited & produced by viction:workshop ltd;creative direction: Victor Cheung  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208806'><img border='0' width='95' height='135' src='https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/a83/37/F01a833783.jpg&v=66703753k&w=348&h=348'/></a></td><td valign='top'>As Claude Monet once said, ＂I would like to paint the way a bird sings＂. From the sacred falcons and ibises of ancient Egyptian glyphs, to the elegant cranes and swallows in East Asian ink paintings, birds have been revered for their beauty and symbolism, gracing numerous canvases throughout art history. Swoop into a delightful realm of winged wonders through the lens of bird-loving artists and creatives in Avian Inspiration, which serves not only as a collection of contemporary artistic interpretations of our feathered friends, but also as an homage to the enduring allure of avian life. Whether you are an avid ornithologist or simply someone captivated by the wonders of nature, flip open the pages and immerse yourself in an enchanting avian world where brush meets feather. The fourth volume in the highly successful Inspiration series focusing on the wonders of life on this planet in its myriad forms as depicted by some of our most beloved artists.</td></tr></table>]]></description>
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         <title><![CDATA[Barkley L. Hendricks:piles of inspiration everywhere]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208731]]></link>
         <author><![CDATA[Susan Hendricks, David Katzenstein  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208731'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/377/377744602.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Bollywood dreams:an exploration of the motion picture industry and its culture in India]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208754]]></link>
         <author><![CDATA[by Jonathan Torgovnik  2003]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208754'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/071/071484456.jpg'/></a></td><td valign='top'>Deriving its name from its American equivalent, Bollywood is the highly successful Indian movie industry predominantly based in Bombay and Madras. Every day more than 14 million people go to the cinema across India to watch films produced by this massive and powerful industry. In India, movies are not just a form of entertainment but practically a religion. Streets in major Indian cities are lined with colourful posters of Indian movies and their stars. Movie stars are treated like demi-gods, no match even for American standards of celebrity obsession. More than any other cultural or political institution of the twentieth century, the cinema has captured the hearts and minds of India&#39;&#39;s growing population of almost one billion, even against the stark backdrop of the vast country&#39;&#39;s struggle with poverty and hunger and often tense Muslim-Hindu relations. The experience of actually going to the movies in India is as much a part of the Bollywood phenomenon as are the stars themselves and Bollywood Dreams documents this important aspect of understanding the important role Bollywood plays in contemporary Indian culture. &#34;Going to the cinema&#34; Torgovnik says, &#34;is about going to see the actors larger-than-life. It is about living the glamorous life for a few hours and leaving your daily hardships behind.&#34; Once inside the movie theatres, the audience can expect at least three hours of entertainment, including several song and dance numbers, love scenes, action sequences and most surely a happy ending. Each film includes the necessary ingredients for success: action, violence, music, dance, romance and morals. The themes of the movies are often social issues such as communalism, ethnicity, religion and caste, and the movie theatres themselves are often full of lively interaction between viewer and star. Cheers and boos pervade the atmosphere: the audience becomes a part of the film and, likewise, the film becomes a part of them. Bollywood Dreams begins with a vignette of the touring caravans that bring Bollywood on the big screen to India&#39;&#39;s villages in portable tents. We then follow the Indian film from its creation on the movie set, to the larger-than-life stars, directors and character actors, to the editing chamber, to the city streets where ubiquitous promotional posters abound and, finally, to the multitude of movie theatres that abound in India.</td></tr></table>]]></description>
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         <title><![CDATA[Botanical illustration:the gold medal winners]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208793]]></link>
         <author><![CDATA[Charlotte Brooks  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208793'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/178/178884338.jpg'/></a></td><td valign='top'>RHS Botanical Illustration: The Gold Medal Winners collects outstanding examples of botanical illustration from around the world, all of which have been awarded prestigious gold medals by the famous Royal Horticultural Society. This new updated and extended edition includes all new gold medal winners from 2019 to 2024, with an additional 29 stunning works from 14 new and accomplished artists. The RHS only award their gold medal to the most outstanding artists, encouraging the international artistic community to perform to the highest standard for the RHS annual exhibition, now held at the Saatchi Gallery in London, which runs for six weeks every summer. This gold medal is a highly coveted testament to an artist&#39;s abilities, and the illustrations gathered in these pages demonstrate great attention to detail, masterful colour work and outstanding technical skill.Insightful commentary on the artists&#39; creative process accompanies each picture. The perfect book for the lover of horticulture, as well as an excellent reference both for botanists and aspiring artists, this collection also includes an updated introductory essay that delves into the history of the RHS.</td></tr></table>]]></description>
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         <title><![CDATA[Building science graphics:an illustrated guide to communicating science through diagrams and visualizations]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208807]]></link>
         <author><![CDATA[Jen Christiansen  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208807'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/103/103210940.jpg'/></a></td><td valign='top'>Building Science Graphics: An illustrated guide to communicating science through diagrams and visualizations is a practical guide for anyone—regardless of previous design experience and preferred drawing tools—interested in creating science-centric illustrated explanatory diagrams. Starting with a clear introduction to the concept of information graphics and their role in contemporary science communication, it then outlines a process for creating graphics using evidence-based design strategies. The heart of the book is composed of two step-by-step graphical worksheets, designed to help jump-start any new project. The author website, featuring further resources and links, can be found here: https://www.buildingsciencegraphics.com/. This is both a textbook and a practical reference for anyone that needs to convey scientific information in an illustrated form for articles, poster presentations, slide shows, press releases, blog posts, social media posts and beyond.</td></tr></table>]]></description>
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         <title><![CDATA[CLAP!:10 x 10 contemporary Latin American photobooks:2000-2016]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208769]]></link>
         <author><![CDATA[edited by Olga Yatskevich, Russet Lederman and Matthew Carson  2017]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208769'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51lrBZKkbvL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Caravaggio:1571-1610:a genius beyond his time]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208768]]></link>
         <author><![CDATA[Gilles Lambert;edited by Gilles Néret  2015]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208768'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/418aQlGcgXL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Ceramics:400 years of British collecting in 100 masterpieces]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208732]]></link>
         <author><![CDATA[Patricia F. Ferguson  2016]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208732'><img border='0' width='95' height='135' src=''/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Collaboration:a potential history of photography]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208808]]></link>
         <author><![CDATA[Ariella Aïsha Azoulay...[et al]  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208808'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41y-H0rLIAL._SY445_SX342_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Connecting visual literacy to theory:revisiting the disruptions of visual thinkers in education and beyond]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208809]]></link>
         <author><![CDATA[edited by Ricardo Lopez-Leon and Dana Statton Thompson  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208809'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/103/103265176.jpg'/></a></td><td valign='top'>This volume seeks to close the gap between education systems across the world that remain systematically devoted to understanding our world through text rather than images.Through an exploration of the contributions of well- and lesser-known visual thinkers from across disciplines and geographies, the contributors offer contemporary appraisals and modern re-conceptualizations of the subject. The book illuminates how experts from various disciplines ranging from art, communication, education, and philosophy laid the foundations for what we know today as visual literacy. These foundations and innovative ways of thinking and understanding images have been disruptive, but until now, have been relatively understudied. As such, the chapters examine the context of individual thinkers, expanding upon famous theories and providing new insight into why these visual and cognitive processes are imperative to learning and education and to disciplines spanning art history, museum studies, philosophy, photography, and more. The authors, all members of the International Visual Literacy Association (IVLA), are committed to advancing the study of visual literacy by raising new questions and proposing new routes of inquiry.A unique and timely exploration of the way we derive meaning from what we see and how we interact with our visual environment, it will appeal to researchers, scholars, and educators from a range of interdisciplinary backgrounds across art, art education, art history, design, information science, photography and visual communication.</td></tr></table>]]></description>
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         <title><![CDATA[Contemporary photography from the Far East:Asian dub photography]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208770]]></link>
         <author><![CDATA[edited by Filippo Maggia, Francesca Lazzarini  2009]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208770'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51iRRSqUKzL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Cosmos Ottinger]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208747]]></link>
         <author><![CDATA[Herausgeber*innen/editors, Çağla İlk, Misal Adnan Yildiz;Texte/texts, Hannah Black...[et al]  2022]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208747'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/513TR0HMt7L._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Culture sensitive design:a guide to culture in practice]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208810]]></link>
         <author><![CDATA[Annemiek van Boeijen, Yvo Zijlstra  2020]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208810'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/410kZXMqicL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Dana Schutz:Jupiter's lottery]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208771]]></link>
         <author><![CDATA[text by Jarrett Earnest  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208771'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41sJxNz7+HL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[David Hammons]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208733]]></link>
         <author><![CDATA[artwork by David Hammons  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208733'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/390/390749313.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[David Lynch]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208838]]></link>
         <author><![CDATA[Thierry Jousse;[translated by Sarah Robertson and Imogen Forster]  c2010]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208838'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/286/286642573.jpg'/></a></td><td valign='top'>This introduction to the work of American filmmaker and television director, David Lynch, covers his early work in films including Eraserhead, The Elephant Man and Dune, through his Americana period with Blue Velvet, Wild at Heart and The Straight Story, as well as his television success with Twin Peaks and later films Mulholland Drive and Inland Empire. Set photos and film stills are included throughout and, Jousse, (former editor in chief, Cahiers du cinema) provides a complete filmogograpy as well as a timeline of Lynch&#39;s life. Distributed by Phaidon Press. Annotation c2011 Book News, Inc., Portland, OR (booknews.com)</td></tr></table>]]></description>
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         <title><![CDATA[David Rowland:40/4 chair]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208734]]></link>
         <author><![CDATA[Erwin Rowland, Laura Schenone  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208734'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31fb7MS6eOL._SY445_SX342_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Dd'24'25:Dutch designers yearbook 2024-2025]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208735]]></link>
         <author><![CDATA[editors: Barbara van Santen [and four others];texts: Lara Wierenga [and eight others];translations: Liz Keel, Dave Nice  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208735'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41q1E1o+f4L._SX342_SY445_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Design unlimited:visual communication and storytelling with generative design and data]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208811]]></link>
         <author><![CDATA[Patrik Hubner, Larissa Lenze  2026]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208811'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51RIrk5OpQL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Digital art:1960s - now]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208812]]></link>
         <author><![CDATA[edited by Pita Arreola, Corinna Gardner and Melanie Lenz  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208812'><img border='0' width='95' height='135' src='##ph2ph4##'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Digital materiality in architecture]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208772]]></link>
         <author><![CDATA[Gramazio & Kohler;[translations: Laura Bruce, Monica Buckland]  c2008]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208772'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/4153vVckH9L._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'>Robots build! At their Program in Architecture and Digital Production at the Eidgenössische Technische Hochschule (ETH) Zürich (Swiss Federal Institute of Technology in Zurich), the architects Gramazio &amp; Kohler have installed a research facility that is unique in the world. It is based on a computer-controlled industrial robot that produces construction elements directly from design data. The robot works flexibly with a tremendous range of tools and materials. In this way Gramazio &amp; Kohler probe the exciting potential of digital design, construction, and manufacturing techniques for architecture.Gramazio &amp; Kohler attracted widespread attention with the sWISH Pavilion at the Swiss National Exposition Expo 02 and the new Christmas lighting display on Zurich’s Bahnhofstrasse. In their projects they incorporate insights and discoveries from the field of computer-aided production into the architectonic design process, using computers to develop innovative construction techniques and architecture. First structures using robots have already been built. Thus, the much noted Gantenbein vineyard in Fläsch employs facades with individually laid bricks for the first time.This publication places explosive insights, theses, and conclusions from the dialectic between physically experienceable architecture and digital processes up for debate.   Read more Robots build! At their Program in Architecture and Digital Production at the Eidgenössische Technische Hochschule (ETH) Zürich (Swiss Federal Institute of Technology in Zurich), the architects Gramazio &amp; Kohler have installed a research facility that is unique in the world. It is based on a computer-controlled industrial robot that produces construction elements directly from design data. The robot works flexibly with a tremendous range of tools and materials. In this way Gramazio &amp; Kohler probe the exciting potential of digital design, construction, and manufacturing techniques for architecture.Gramazio &amp; Kohler attracted widespread attention with the sWISH Pavilion at the Swiss National Exposition Expo 02 and the new Christmas lighting display on Zurich’s Bahnhofstrasse. In their projects they incorporate insights and discoveries from the field of computer-aided production into the architectonic design process, using computers to develop innovative construction techniques and architecture. First structures using robots have already been built. Thus, the much noted Gantenbein vineyard in Fläsch employs facades with individually laid bricks for the first time.This publication places explosive insights, theses, and conclusions from the dialectic between physically experienceable architecture and digital processes up for debate.</td></tr></table>]]></description>
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         <title><![CDATA[Disorder:Swiss grit]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208755]]></link>
         <author><![CDATA[Chris Ashworth  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208755'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/413BWSHxjSL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Display in use:a collection of display typefaces, from A to Z]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208843]]></link>
         <author><![CDATA[edited & published by Victionary;creative direction: Victor Cheung  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208843'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/988/988768453.jpg'/></a></td><td valign='top'>Renowned for their bold and attention-grabbing nature, display fonts are a brand&#39;s go-to if it is looking to stand out visually in a sea of competition. Known for their intricate details, expressive style, playful elements, and varied weights, they are adaptable across diverse design contexts, seamlessly integrating into print, digital, and beyond. Display fonts also play a crucial role in determining a brand&#39;s personality and impressions at first glance. A continuation of the Sans/Sans Serif in Use collection, this edition features a curated selection of display type specimens, their design applications, and the thoughts that go behind the craft. Display in Use collates the best typefaces for big canvases and serves as a reference point for inspiration-seeking designers and typographers alike.</td></tr></table>]]></description>
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         <title><![CDATA[Draw:Kenya Hara]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208813]]></link>
         <author><![CDATA[author: Kenya Hara  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208813'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41Fuimi0U3L._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Eastern breezes:the art of folding screens from China to Japan and beyond]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208773]]></link>
         <author><![CDATA[texts by Giorgio Antei, Hwee Lie Blehaut;photographs by Massimo Listri  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208773'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41YJxjWXeuL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Ed Clark:the big sweep:chronicles of a life 1926-2019]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208774]]></link>
         <author><![CDATA[editor, Jake Brodsky  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208774'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51b-0U7gUUL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Encounters by design:strategies for spatial stories]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208814]]></link>
         <author><![CDATA[by Atelier Markgraph  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208814'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41V8Wj2q4lL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Ever Goya]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208775]]></link>
         <author><![CDATA[edited by Isabela Mora, Sam Keller, Hans Ulrich Obrist  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208775'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/61ok5r8FxdL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Expressionism]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208776]]></link>
         <author><![CDATA[Norbert Wolf;Uta Grosenick, editor  2015]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208776'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/383/383650528.jpg'/></a></td><td valign='top'>This visceral life: Seeing the world through expressionist eyes Sharp angles, strange forms, lurid colors and distorted perspectives are all hallmarks of Expressionism, an international movement that prioritized emotion over objective reality, and which flourished internationally, but was particularly present in Germany and Austria.With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), the Expressionists disowned against Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life. Their paintings brim with emotive force, often drawing on inspiration outside of Europe, such as from native folk or tribal art.This book introduces the Expressionist quest for authenticity, looking at its stylistic tendencies, influences, and such key protagonists as Beckmann, Heckel, Kandinsky, Kirchner, Kokoschka, Macke, Marc, Mueller, Nolde, Schiele, and Schmidt-Rottluff. About the Series:Each book in TASCHEN&#39;s Basic Genre Series features:a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that perioda selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artistapproximately 100 colour illustrations with explanatory captions</td></tr></table>]]></description>
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         <title><![CDATA[Faig Ahmed]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208777]]></link>
         <author><![CDATA[essays, Emma Saperstein [and four others]  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208777'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51GaAAPDInL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Film:a critical introduction]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208839]]></link>
         <author><![CDATA[Maria Pramaggiore and Tom Wallis  2005]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208839'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51z-T4HF1uL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'>Updated and expanded for a new edition, this is the perfect starter text for students of film studies. This book illustrates basic film concepts in context and in depth. It addresses techniques and terminology used in film production and criticism, emphasizing thinking and writing critically and effectively. Organized in three parts, the text focuses on the fundamentals of film analysis before moving on to more complex topics. Parts I and II teach students to recognize how the components of filmnarrative, mise en scene, cinematography, editing and soundwork together to produce meaning within an individual film text. Part III introduces readers to interpretive frameworks that treat cinema as a cultural institution. This section encourages readers to move beyond textual analysis and consider the relationship between film and culture. Readers learn to form sophisticated arguments about film in cultural, historical and economic contexts. &#39;This text is extremely well-organized and the examples cited are dead-on and up-to-date. This text makes both contemporary and classical references, certain to make its point clear to those students who are beginners and who have not seen many classical films&#39; - Walton Jones, University of California, San Diego.   Read more Updated and expanded for a new edition, this is the perfect starter text for students of film studies. This book illustrates basic film concepts in context and in depth. It addresses techniques and terminology used in film production and criticism, emphasizing thinking and writing critically and effectively. Organized in three parts, the text focuses on the fundamentals of film analysis before moving on to more complex topics. Parts I and II teach students to recognize how the components of filmnarrative, mise en scene, cinematography, editing and soundwork together to produce meaning within an individual film text. Part III introduces readers to interpretive frameworks that treat cinema as a cultural institution. This section encourages readers to move beyond textual analysis and consider the relationship between film and culture. Readers learn to form sophisticated arguments about film in cultural, historical and economic contexts. &#39;This text is extremely well-organized and the examples cited are dead-on and up-to-date. This text makes both contemporary and classical references, certain to make its point clear to those students who are beginners and who have not seen many classical films&#39; - Walton Jones, University of California, San Diego.</td></tr></table>]]></description>
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         <title><![CDATA[Folkish:illustration inspired by folklore]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208815]]></link>
         <author><![CDATA[edited and produced by viction:ary  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208815'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/988/988768456.jpg'/></a></td><td valign='top'>Despite what society says, human beings were born to create and have been doing so since ancient times. Beginning with cave paintings, people have documented their culture and heritage regardless of geography, as seen in intricate Indian miniature paintings, awe-inspiring African mural masterpieces, delicate Nordic stone and wood carvings, and dreamy Chinese ink wash landscapes. Folkish collects a resurgence of old folk tales and traditions from across the globe through the contemporary brushstrokes of artists who seamlessly blend the old with the new, weaving a new visual tapestry that not only preserves our roots, but also reshapes the vibrant mosaic that is our collective artistic heritage for the future.</td></tr></table>]]></description>
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         <title><![CDATA[Francis Ford Coppola]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208840]]></link>
         <author><![CDATA[Stéphane Delorme;[translated by Imogen Forster]  c2010]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208840'><img border='0' width='95' height='135' src='https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/224/65/F012246515.jpg&v=4ff570de&w=348&h=348'/></a></td><td valign='top'>The career of famed American director, Francis Ford Coppola (The Godfather and Apocalypse Now)is profiled in this slim volume filled with full-color film stills and set photos. Arranged chronologically, chapters trace Coppola’s career from his early days in Hollywood, through his success with The Godfather, work on One From the Hearth and Tucker, and later films such as Youth Without Youth and Tetro. A complete filmography is included. Delorme is editor in chief of Cahiers du dinéma. Distributed by Phaidon Press. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)</td></tr></table>]]></description>
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         <title><![CDATA[From Italy:a celebration of creativity from Italy]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208816]]></link>
         <author><![CDATA[compiled and published by Counter-Print  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208816'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31K888v2h4L._SY445_SX342_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Funkadelic:the vibrant artistry of the '60s & '70s]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208817]]></link>
         <author><![CDATA[edited and produced by viction workshop  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208817'><img border='0' width='95' height='135' src='https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/a65/93/F01a659315.jpg&v=66b0d079k&w=348&h=348'/></a></td><td valign='top'>With its use of bright colors, floral patterns and of typographic freedom, the 70’s were a time of graphic experimentation heavily influenced by psychedelic imagery and the rise of hippie culture. Funkadelic invites readers to step back in time and witness the audacity and dynamism of the era that embraced individuality and pushed artistic boundaries. An homage to the graphic design trends and styles that embodied bold expression, cultural revolution, and free-spirited creativity, discover a handpicked selection of visual identities and branding design inspired by the iconic aesthetic of the ’70s to incorporate vintage elements into modern design. A visual treasure trove of inspiration and nostalgia for designers, artists, and period enthusiasts alike.</td></tr></table>]]></description>
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         <title><![CDATA[Futuria:art of the sci-fi age]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208818]]></link>
         <author><![CDATA[published and edited by Victionary  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208818'><img border='0' width='95' height='135' src='https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/905/92/F019059255.jpg&v=6294c476k&w=348&h=348'/></a></td><td valign='top'><p>
<p>For over 200 years the world has been captivated by an ever-growing genre of fiction that while depicting possible futures, is free to explore aspects of human experience in a novel and insightful way. Through creative world building and explorations of social, political and evolutionary systems, the authors also provide visions of possible futures for us to inhabit. Inspired by these creators, as well as video games, comic books, tv shows, movies and their own private mindscapes - the incredible artists included in this volume present stunning glimpses of future worlds, beautifully rendered to capture our imaginations. Featuring a variety of artwork across subgenres from the utopian to the dystopian, militaristic to cyberpunk, space opera and more. Explore the infinite possibilities of Futuria!</td></tr></table>]]></description>
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         <title><![CDATA[Glass light space]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208737]]></link>
         <author><![CDATA[Jeff Zimmerman;foreword by Zesty Meyers;essays by Glenn Adamson and Tony Ingrao;Jeff Zimmerman in conversation with Brett Littman;edited by Mina Warchavchik Hugerth  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208737'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41Q4WaR+-EL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Gottfried Helnwein]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208819]]></link>
         <author><![CDATA[edited by Elsy Lahner and Klaus Albrecht Schröder;with a foreword by Klaus Albrecht Schröder, texts by Elsy Lahner and Klaus Speidel and quotes from Gottfried Helnwein  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208819'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41OMJSF4bIL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Graduate 360° 2024 annual graduation design award:100 graduation work of the year]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208748]]></link>
         <author><![CDATA[edited: Design360°;Chief editor: Hyde Ou  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208748'><img border='0' width='95' height='135' src=''/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Grand illusions:contemporary interior murals]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208778]]></link>
         <author><![CDATA[Caroline Cass;with photographs by Tom Leighton  1993]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208778'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/071/071482947.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Graphic Design in Japan]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208855]]></link>
         <author><![CDATA[JAGDA年鑑委員會編集  2025[民114]]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208855'><img border='0' width='95' height='135' src='https://www.kinokuniya.co.jp/../images/goods/ar2/web/imgdata2/48151/4815100276.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Graphic classics]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208760]]></link>
         <author><![CDATA[commissioning editor, Emilia Terragni;project editor, Robyn Taylor  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208760'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51A2EhDIAaL._SY445_SX342_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Graphic design for board games]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208820]]></link>
         <author><![CDATA[Daniel Solis  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208820'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/103/103259245.jpg'/></a></td><td valign='top'>Board games are increasingly recognized as an artform of their own, but their design and aesthetics are just as important as their gameplay mechanics. In this handbook, art director and graphic designer Daniel Solis offers his 20+ years of expertise in graphic design in tabletop gaming.With a sense of humor, plenty of examples, and simple tips, Graphic Design for Board Games covers everything from typography to retail presence. Learn how to effectively use graphic design elements to enhance player experience. Create stunning game components, clear rulebooks, and effective game boards that will keep players engaged.Key Features:Highlights unique challenges and solutions of graphic design for board gamesIncludes commentary from over a dozen board game graphic designersExplains complex concepts with numerous visual examplesTrains designers to incorporate heuristics, accessibility, and semioticsNewcomers will learn introductory concepts of visual communication. Intermediate designers will find ways to anticipate common visual obstacles and improve playtest results. Experienced veterans will find insightful comments shared by fellow professionals.Soon youll design unforgettable gaming experiences for your players!</td></tr></table>]]></description>
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         <title><![CDATA[Hiroshige:nature and the city:prints from the Alan Medaugh Collection]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208779]]></link>
         <author><![CDATA[catalogue by Jim Dwinger;essays by John T. Carpenter...[et al];collection photography by Ryoko Matsuba  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208779'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51l5KvbintL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'>Hiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797–1858) in the English language to date.Hiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797–1858) in the English language to date. It is based on the largest collection of Hiroshige in private hands outside Japan, the Alan Medaugh collection. The catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject, it presents Hiroshige’s interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-and flower prints. Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalog pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector.   Read more Hiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797–1858) in the English language to date.Hiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797–1858) in the English language to date. It is based on the largest collection of Hiroshige in private hands outside Japan, the Alan Medaugh collection. The catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject, it presents Hiroshige’s interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-and flower prints. Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalog pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector.</td></tr></table>]]></description>
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         <title><![CDATA[How communication design works:principles, inspirations, challenges]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208821]]></link>
         <author><![CDATA[Ulysses Voelker, Michael Schmitz  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208821'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41NqP0A2EKL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Identity:the story of Czech graphic design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208822]]></link>
         <author><![CDATA[Linda Kudrnovská (ed.);translation Douglas Arellanes  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208822'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51KZBFQitbL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Indigenous identities:here, now & always]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208736]]></link>
         <author><![CDATA[edited by Jaune Quick-to-See Smith  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208736'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/377/377744536.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[It's a complement:color palettes in graphic design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208823]]></link>
         <author><![CDATA[edited by Joann Chung, Anton Tan  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208823'><img border='0' width='95' height='135' src=''/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Japan style]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208752]]></link>
         <author><![CDATA[Gian Carlo Calza;translated by Imogen Forster and Irena Hill  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208752'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31D6urNgECL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Joe Tilson]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208780]]></link>
         <author><![CDATA[Marco Livingstone  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208780'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/5168d-CiozL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Josef Albers:homage to the square, 1950-1976:towards a history of twentieth century art]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208781]]></link>
         <author><![CDATA[edited by Heinz Liesbrock  2022]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208781'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31xqt6MKOhL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'>The essential account of Albers’ enormously influential proto-Minimalist series, featuring studies and archival materialsMade over the course of a quarter century between 1950 and his death in 1976, Josef Albers’ groundbreaking series Homage to the Square comprises 2,000 oil paintings. His quest for continuous reflection and refinement inspired numerous young Minimalist and Conceptualist artists in their search for a reduced formal language. This outstanding volume explores the secrets of Albers’ subtle aesthetic and the questions it poses: what is the significance of the square? How did Albers’ thoughts on color and its use as a material evolve over this span?Featuring studies on paper, archival materials and essays by Albers aficionados Margit Rowell and Donald Judd, among others, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.Josef Albers (1888–1976) laid the foundations for some of the most important art education programs of the 20th century. In 1936, during his time working at Black Mountain College in North Carolina, he had his first solo exhibition in New York at J.B. Neumann’s New Art Circle. In 1949, Albers left the college and began the Homage to the Square series. He taught at various institutions throughout America, including Yale University. He died in 1976.   Read more The essential account of Albers’ enormously influential proto-Minimalist series, featuring studies and archival materialsMade over the course of a quarter century between 1950 and his death in 1976, Josef Albers’ groundbreaking series Homage to the Square comprises 2,000 oil paintings. His quest for continuous reflection and refinement inspired numerous young Minimalist and Conceptualist artists in their search for a reduced formal language. This outstanding volume explores the secrets of Albers’ subtle aesthetic and the questions it poses: what is the significance of the square? How did Albers’ thoughts on color and its use as a material evolve over this span?Featuring studies on paper, archival materials and essays by Albers aficionados Margit Rowell and Donald Judd, among others, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.Josef Albers (1888–1976) laid the foundations for some of the most important art education programs of the 20th century. In 1936, during his time working at Black Mountain College in North Carolina, he had his first solo exhibition in New York at J.B. Neumann’s New Art Circle. In 1949, Albers left the college and began the Homage to the Square series. He taught at various institutions throughout America, including Yale University. He died in 1976.</td></tr></table>]]></description>
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         <title><![CDATA[Karel Martens:Uranus:再造]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208844]]></link>
         <author><![CDATA[design: Karel Martens, Aagje Martens  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208844'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41xxFNI6QpL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Kerry James Marshall:the complete prints 1976-2022]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208782]]></link>
         <author><![CDATA[Susan Tallman  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208782'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41N66d7cXRL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'>A complete survey of Marshall’s prints from the 1970s to the present, with many previously unseen worksKerry James Marshall is famed for his beautifully executed paintings that address the under-representation of the Black figure in the Western pictorial tradition. Though best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. Marshall spent his youth building his craft in drawing and painting, but also in wood engraving and printing; by his mid-twenties, he recalls, &#34;I could do woodcuts, etchings, aquatints.&#34; Most of his prints have been produced not in professional print workshops but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12-panel woodcut Untitled (1998–99), to iterations of his ongoing magnum opus Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist&#39;s archive and are unknown to the public. This catalogue raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall&#39;s work as a whole.Kerry James Marshall was born in Birmingham, Alabama, in 1955, later moving to Los Angeles. He taught painting for many years at the School of Art and Design at the University of Illinois at Chicago. In 2013, he was named for the Committee on the Arts and the Humanities by President Barack Obama. In 2017, Marshall was included on the annual Time 100 list of the most influential people in the world. The National Cathedral in Washington, DC, is currently working with Marshall to create two new stained-glass windows. Marshall lives and works in Chicago.Massachusetts- and Berlin-based art historian Susan Tallman has written extensively on contemporary art, the history of prints and aspects of authenticity.   Read more A complete survey of Marshall’s prints from the 1970s to the present, with many previously unseen worksKerry James Marshall is famed for his beautifully executed paintings that address the under-representation of the Black figure in the Western pictorial tradition. Though best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. Marshall spent his youth building his craft in drawing and painting, but also in wood engraving and printing; by his mid-twenties, he recalls, &#34;I could do woodcuts, etchings, aquatints.&#34; Most of his prints have been produced not in professional print workshops but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12-panel woodcut Untitled (1998–99), to iterations of his ongoing magnum opus Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist&#39;s archive and are unknown to the public. This catalogue raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall&#39;s work as a whole.Kerry James Marshall was born in Birmingham, Alabama, in 1955, later moving to Los Angeles. He taught painting for many years at the School of Art and Design at the University of Illinois at Chicago. In 2013, he was named for the Committee on the Arts and the Humanities by President Barack Obama. In 2017, Marshall was included on the annual Time 100 list of the most influential people in the world. The National Cathedral in Washington, DC, is currently working with Marshall to create two new stained-glass windows. Marshall lives and works in Chicago.Massachusetts- and Berlin-based art historian Susan Tallman has written extensively on contemporary art, the history of prints and aspects of authenticity.</td></tr></table>]]></description>
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         <title><![CDATA[Kulachëk]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208804]]></link>
         <author><![CDATA[foreword, Jon Dowling  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208804'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/511X39kVALL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[LEGO:the art of the minifigure]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208802]]></link>
         <author><![CDATA[Brian Barrett;foreword by Matthew Ashton...[et al]  2022]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208802'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/145/145218226.jpg'/></a></td><td valign='top'>This landmark volume explores the history, design, and cultural impact of the iconic LEGO® minifigure. Driven by compelling essays, lush full-color photography, infographics, and never-before-seen visuals from inside LEGO archives and beyond, this book reveals why the minifigure matters - as a beloved toy and as a singular cultural icon.</td></tr></table>]]></description>
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         <title><![CDATA[Le Petit Didier]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208756]]></link>
         <author><![CDATA[Le Petit Didier [Michel Lepetitdidier];auteurs, André Baldinger [and four others]  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208756'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31a10PtaDQL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Lita Cabellut:unfolding density]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208783]]></link>
         <author><![CDATA[Lita Cabellut, Tayfun Belgin;edited by Thomas Hauffe  c2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208783'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51dI4JPecgL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Luc Tuymans]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208784]]></link>
         <author><![CDATA[[survey by] Ulrich Loock;[interview by] Juan Vicente Aliaga;[focus by] Nancy Spector;[Update by] Hans Rudolf Reust  c2003]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208784'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/071/071484298.jpg'/></a></td><td valign='top'>Luc Tuymans is a Belgian artist who emerged in the late 1980s. Tuymans is one of the world&#39;s most prominent figures in contemporary painting although he has also worked in other media. His work fuses the traditions of Old Master Flemish and Spanish genre painting with ideas and images drawn from recent history. Tuymans&#39; monochromatic palette and choice of subject matter - domestic interiors, commonplace objects, the margins of history or family portraits - link painting with filmmaking, photojournalism and amateur photography. The source of his imagery, however, some of which derives from documentation of Nazi atrocities, gives his canvases a brooding violence. Modest in scale and sensitive in execution, this work is powerful in its haunting evocation of lost lives and repressed histories. Tuymans&#39; work has featured in many keys surveys of contemporary painting.</td></tr></table>]]></description>
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         <title><![CDATA[Lucio Fontana:walking the space:spatial environments 1948-1968]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208785]]></link>
         <author><![CDATA[editor, Luca Massimo Barbero;curator, Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208785'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/390/390691561.jpg'/></a></td><td valign='top'>Documenting the first-ever reconstruction of Fontana&#39;s immersive installationsLucio Fontana&#39;s (1899-1968) Ambienti spaziali, or Spatial Environments were immersive installations that include neon crystal tubes, paint that glows under black light and captivating pa-pier-m ch sculptures. Fontana&#39;s use of technology pushed the boundaries of art beyond the canvas to &#34;paint&#34; with light and invite viewers into the physical space of the work itself. In spring 2020 Hauser &amp; Wirth Los Angeles staged the first comprehensive presentation of Ambienti spaziali in the United States, carefully reconstructing the installations as they initially appeared from 1948 to the final years of the artist&#39;s life. This accompanying volume is edited in collaboration with Milan&#39;s Fondazione Lucio Fontana and includes a survey of Fontana&#39;s contributions to the evolution of conceptual art, tracing his influence on other legendary figures as Piero Manzoni, Yayoi Kusama and James Turrell.</td></tr></table>]]></description>
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         <title><![CDATA[Machine rendering]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208738]]></link>
         <author><![CDATA[Vincent Zhao  2013]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208738'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/190/190817507.jpg'/></a></td><td valign='top'>The popularity of machine rendering in animation and video game design has been on the rise for decades, giving way to a new generation of artists eager to showcase their talents and share their obsessions. Admirers of the anime produced in the &#39;70s and &#39;80s will readily see glimmers of what enthralled them as children in the complex and anthropomorphized forms, their scale and settings. Some creations are sentient, others are vehicles for our sentience many have the ability to portray a wide array of emotions and effects, from the menacing to the humane, the static to the transformable in the hands of these masters. East meets West in this volume presenting the best of mechanized art from the West, Japan and China.</td></tr></table>]]></description>
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         <title><![CDATA[Manuals:design and identity guidelines:with over 1000 illustrations]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208824]]></link>
         <author><![CDATA[Tony Brook...[et al];foreword by Massimo Vignelli  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208824'><img border='0' width='95' height='135' src='https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/a86/27/F01a862707.jpg&v=66a79422k&w=348&h=348'/></a></td><td valign='top'>In today’s landscape, designers rely on digital templates to implement brand identities--fast, accurate, and easily updatable, these digital manuals are now obligatory. But we have lost something in the transition to digital style guides, and the great printed standards manuals from the predigital era deserve a better fate than to be junked. This comprehensive study of corporate design manuals from the golden era of identity design makes a compelling case for their survival and continued appreciation.The forty-two manuals featured have been expertly photographed, retaining all essential details, and are presented in a spacious and functional layout, allowing readers to fully appreciate these wonderful examples of sophisticated information design.The photography is accompanied by a foreword by the late Massimo Vignelli, an afterword by designer Lance Wyman, and texts from Adrian Shaughnessy, Richard Danne (NASA designer), Martha Fleming (daughter of Allan Fleming, designer of the Canadian National Railway logo), Greg D’Onofrio, and Patricia Belen, alongside interviews with Armin Vit, Sean Perkins, John Lloyd, Michael Burke, Sean Wolcott, Liza Enebeis, and John Bateson.</td></tr></table>]]></description>
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         <title><![CDATA[Marcel Duchamp Graphics:マルセル・デュシャン紙の上の仕事]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208849]]></link>
         <author><![CDATA[マルセル・デュシャン[著]  1991[民80]]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208849'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51HBmjTEPpL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Marvel by design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208787]]></link>
         <author><![CDATA[edited by Robert Klanten and Andrea Servert;contributing editor, Liz Stinson;texts by Asher Elbein ... [et al.]  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208787'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51JovABgzVL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Marvel contest of champions:the art of Battlerealm]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208753]]></link>
         <author><![CDATA[Paul Davies  2018]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208753'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51Qjx1YpzTL._SY445_SX342_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Merge:art, craft, design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208739]]></link>
         <author><![CDATA[concept, Abdul Nasser;curator, Euphemia Toong  2012]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208739'><img border='0' width='95' height='135' src=''/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Michelangelo:the genesis of the Sistine:celebratory exhibition on the 550th anniversary of the birth of Michelangelo Buonarroti (1475-1564)]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208788]]></link>
         <author><![CDATA[Adriano Marinazzo;additional essays by Cristina Acidini...[et al]  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208788'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/887/887461715.jpg'/></a></td><td valign='top'>For the 550th anniversary of the birth of Michelangelo Buonarroti (1475–1564) the Muscarelle Museum (Williamsburg, Virginia) hosted the exhibition Michelangelo: The Genesis of the Sistine, running from March to June, 2025. The exhibition was an extraordinary account of the master&#39;s preparatory drawings for the Sistine Chapel frescoes, never before exhibited in America.Before his death, Michelangelo destroyed many of his sketches, including numerous studies for the Sistine Chapel. Those that have been saved remain significant and iconic, providing a window into his creative process, highlighting his initial plans and his extraordinary vision for the frescoes of the Sistine ceiling. They range from what may be considered the first schematic study for the Sistine ceiling, to the numerous sketches of faces, limbs, and whole figures depicted in various positions, appearing as preparation for the figures later frescoed.Thanks to rigorous scholarly research, this catalogue provides new insights into Michelangelo&#39;s legacy, giving the reader an enriching and compelling experience.</td></tr></table>]]></description>
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         <title><![CDATA[Molecular typography laboratory]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208761]]></link>
         <author><![CDATA[Kobi Franco  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208761'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/41vCRCJz3pL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'>Molecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This profound study operates on the premise that Latin and Hebrew letters possess a molecular structure, examining how this assumption can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language. The research involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research.   Read more Molecular Typography Laboratory by Kobi Franco is a speculative research project that delves into experimental typography, exploring the intersection of function versus aesthetics and content versus form. This profound study operates on the premise that Latin and Hebrew letters possess a molecular structure, examining how this assumption can be applied to alphabets and languages. It is an interdisciplinary endeavor that bridges the gap between design, science, and language. The research involves a series of over 150 tests, each designed as a structured “game” where Franco defines the rules, sets the stage, and selects the participants. The book features four illuminating essays that provide historical, cultural, and academic insights into typographic research.</td></tr></table>]]></description>
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         <title><![CDATA[Mother nature in the Bardo]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208789]]></link>
         <author><![CDATA[forewords by Klaus Bienbach and Lucia Pietroiusti;essays by Hans Ulrich Obrist, Dr. Wes  sechest, and UNESCO  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208789'><img border='0' width='95' height='135' src=''/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[No-flash fashion:Miralda & Elle]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208805]]></link>
         <author><![CDATA[editor, José María Lafuente  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208805'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/841/841923359.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Paul Cocksedge:reflections]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208790]]></link>
         <author><![CDATA[[by Paul Cocksedge];edited by Anna Sansom  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208790'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/183/183866948.jpg'/></a></td><td valign='top'>The exquisitely produced first monograph on innovative and influential British designer Paul Cocksedge The internationally acclaimed, London-based designer Paul Cocksedge has spent the last two decades building a reputation for experimental multidisciplinary work infused with a sense of simplicity, joy, and wonder. With his keen interest in science and a fascination with how people interact with design, Cocksedge channels his curiosity into creating thought-provoking pieces that challenge perceptions of everyday objects. This career-spanning and highly personal first monograph showcases in extraordinary detail Cocksedge&#39;s lighting, product design, architectural projects, installations, and sculpture, including work for Flos, Moooi, Swarovski, Hermès, Friedman Benda, and Carpenter&#39;s Workshop. Designed to feel like an exploration of Cocksedge&#39;s own sketchbook, the beautifully produced volume features hundreds of previously unpublished images from his archives, including sketches, drawings, Polaroid photos, and ephemera. Interspersed throughout on tipped-in tracing paper are interviews and essays from key figures in the design industry including Marc Benda and Ron Arad.</td></tr></table>]]></description>
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         <title><![CDATA[Paul Nash:designer and illustrator]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208791]]></link>
         <author><![CDATA[James King  2022]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208791'><img border='0' width='95' height='135' src='https://im2.book.com.tw/image/getImage?i=https://www.books.com.tw/img/F01/825/12/F018251245.jpg&v=61b74ac8k&w=348&h=348'/></a></td><td valign='top'>James King is a Professor of English at McMaster University, Canada. A prolific writer of both fiction and non-fiction, previous books include Interior Landscapes: A Life of Paul Nash, The Last Modern: A Life of Herbert Read and Roland Penrose: The Life of a Surrealist.</td></tr></table>]]></description>
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         <title><![CDATA[Pedro Almodóvar]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208841]]></link>
         <author><![CDATA[Thomas Sotinel;[translated by Imogen Forster]  c2010]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208841'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/286/286642567.jpg'/></a></td><td valign='top'>This slim volume introduces the career of Spanish filmmaker Pedro Almodovar, perhaps best known for his 1988 hit Women on the Verge of a Nervous Breakdown. Sotinel, the film editor for the French Newspaper Le Monde, briefly discusses Almodovar&#39;s childhood before overviewing his career. Organized chronologically, chapters discuss his early work including Pepi, Luci, Bom and Other Girls on the Heap, his maturation as a director in Labyrinth of Passion and Law of Desire, and continuing success with Women on the Verge of a Nervous Breakdown and The Flower of My Secret. Also discussed are more recent films such as From Live Flesh and Broken Embraces. Copious film stills, movie posters, and set photos appear throughout and a complete filmography and timeline of Almodovar&#39;s life is included. Distributed by Phaidon Press. Annotation c2011 Book News, Inc., Portland, OR (booknews.com)</td></tr></table>]]></description>
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         <title><![CDATA[Perfect paper]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208845]]></link>
         <author><![CDATA[[editor and author, Adeline Loh]  c2009]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208845'><img border='0' width='95' height='135' src=''/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Plants at work:an inspirational guide to greenterior design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208846]]></link>
         <author><![CDATA[Miriam Köpf  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208846'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/389/389986346.jpg'/></a></td><td valign='top'>- A wide-ranging manual for the design of green working environments - For a better indoor climate and greater wellbeing in the workplace - Plant and pot information with useful background knowledge - Clear examples with large-format photos, charmingly illustrated Plants change working environments, adding a touch of nature and style and improving the indoor climate. Through their form, color and type of growth, they represent a living design material. Whether it is in an open-plan office, co-working space or employee lounge, their positive effect on people is visible and tangible. This book is targeted towards those who want to integrate plants into their spatial concepts. With current examples of greenterior design, artistic plant constellations and insights into the design of plant pots, along with background knowledge from exemplary projects and interior architecture with botany.</td></tr></table>]]></description>
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         <title><![CDATA[Poetry and painting in the 17th century:Giovan Battista Marino and the "marvelous" passion]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208792]]></link>
         <author><![CDATA[edited by Emilio Russo...[et al]  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208792'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/883/883367300.jpg'/></a></td><td valign='top'>After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The relationship between poetry and painting was consolidated in the 17th century, and became close, even competitive, when artists and men of letters confronted each other with the same themes. In this framework, the great poetry of Giovan Battista Marino (Naples, 1569-1625) plays a fundamental role. His compositions are rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past. The Galeria (1620), one of his most famous books, projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet&#39;&#39;s courtly experience.</td></tr></table>]]></description>
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         <title><![CDATA[Poster cult]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208759]]></link>
         <author><![CDATA[Dafi Kühne;texts, Angelina Lippert, Dafi Kühne, Christian Brändle;translation, Sarah Trenker  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208759'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31KRTOGMglL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Radical!:women artists and modernism, 1910-1950]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208742]]></link>
         <author><![CDATA[edited by Stella Rollig...[et al];with texts by Stephanie Auer [with ten others];translation (German - English), Maria Slater, Lisa Rosenblatt  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208742'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/375/375330542.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Retail design inter-national:[components, space, buildings]]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208835]]></link>
         <author><![CDATA[Jons Messedat  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208835'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51fSMx+dhaL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Richard Jackson]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208751]]></link>
         <author><![CDATA[John C. Welchman;with a chronology by Dagny Janss Corcoran  2020]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208751'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51wBJkRdLWL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Ripples:Minä Perhonen]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208740]]></link>
         <author><![CDATA[Akira Minagawa;edited by Ian Luna and Meaghan McGobern  2019]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208740'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/084/084786612.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Robert Mangold]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208786]]></link>
         <author><![CDATA[[Richard Shiff ... et al.]  2004]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208786'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/071/071484448.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[SHOOTINGフォトグラファー+レタッチャーファイル]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208852]]></link>
         <author><![CDATA[[SHOOTING編集部編];福田紀子編集  2024[民113]]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208852'><img border='0' width='95' height='135' src='https://www.kinokuniya.co.jp/../images/goods/ar2/web/imgdata2/44343/4434349562.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Scarves:with 257 illustrations]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208743]]></link>
         <author><![CDATA[Nicky Albrechtsen & Fola Solanke  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208743'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/51ozBRB66FL._SX342_SY445_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Scripts and calligraphy:paths to the soul]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208794]]></link>
         <author><![CDATA[edited by the Ministry of Culture, Saudi Arabia ad Skira editore  2023]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208794'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/885/885724881.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Sophie Smallhorn:works]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208825]]></link>
         <author><![CDATA[foreword text, Sophie Smallhorn;essay text, Chris Fite-Wassilak  2024]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208825'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/31btXDtd7LL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Stencil in use:a collection of stencil typefaces, from A to Z]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208836]]></link>
         <author><![CDATA[edited & published by Victionary;creative direction: Victor Cheung  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208836'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/988/988768454.jpg'/></a></td><td valign='top'>Known for their bold impressions characterized by strategic bars and openings, stencil fonts are more than just fonts seen on spray-painted shipping crates, military-inspired paraphernalia or street art. Instead, they are an expressive type family that emphasize spacing, size, and arrangement to create impactful and dynamic text elements, often with a focus on geometric precision to convey a sense of strength and contemporaneity. A continuation of the Sans/Sans Serif in Use collection, this edition features a curated selection of stencil type specimens, their design applications, and the thoughts that go behind the craft. Stencil in Use collates the best typefaces for big canvases and serves as a reference point for inspiration-seeking designers and typographers alike.</td></tr></table>]]></description>
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         <title><![CDATA[Stories and dreams:portraits of childhood]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208826]]></link>
         <author><![CDATA[Steve McCurry  2021]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208826'><img border='0' width='95' height='135' src='https://m.media-amazon.com/images/I/515qXPsIuVL._SX342_SY445_ML2_.jpg'/></a></td><td valign='top'></td></tr></table>]]></description>
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         <title><![CDATA[Strategic creativity:a business field guide to advertising, branding, and design]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208827]]></link>
         <author><![CDATA[Robin Landa  2022]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208827'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/103/103213780.jpg'/></a></td><td valign='top'>The secret weapon for business experts to ensure strategically creative results, this is an indispensable field guide to evaluating creative advertising, branding, and design ideas and solutions, and to working with creatives.Strategic Creativity is a fundamental resource that enables business professionals to stand out amongst their colleagues and enhance their ability to communicate the creative &#34;why&#34; throughout their organizations, and it covers what every business expert should fully comprehend about the creative process. To effectively grow a business and reach the right audience or move a brand forward, advertising and branding need to be relevant, engaging, and worth people&#39;s time. This book contains what a CEO, CMO, manager, business owner, or client didn&#39;t learn about the creative side of advertising and design in business school.Featuring insightful conversations with creative experts, this book will earn a place on the desks of executives, leaders, managers, and middle managers across industries, whose work requires them to understand and execute on branding initiatives, advertising campaigns, social media, and other customer-facing content.</td></tr></table>]]></description>
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         <title><![CDATA[Svenskt Tenn:interiors]]></title>
         <link><![CDATA[https://webpac.ntua.edu.tw/bookDetail/208744]]></link>
         <author><![CDATA[editor, Nina Stritzler-Levine  2025]]></author>
         <pubDate><![CDATA[]]></pubDate>
         <description><![CDATA[<table><tr><td valign='top'><a href='https://webpac.ntua.edu.tw/bookDetail/208744'><img border='0' width='95' height='135' src='https://cdnec.sanmin.com.tw/product_images/183/183866688.jpg'/></a></td><td valign='top'>A special survey published to celebrate 100 years of the influential and innovative Swedish design company Svenskt TennIn 1924, the pioneering designer and entrepreneur Estrid Ericson founded Svenskt Tenn in Stockholm, Sweden. Initially a workshop and retail store dedicated to pewter, Svenskt Tenn&#39;s range was quickly expanded by Ericson into one of the most successful home furnishings and interior design companies of the twentieth century.Svenskt Tenn: Interiors celebrates the legacy of the company&#39;s first 100 years, while also marking its position at the forefront of interior design today. Richly illustrated and beautifully designed, the book delves into the story of Ericson and the company she grew, examining her creative relationship with acclaimed Austrian designer Josef Frank, whose magnificent, boldly patterned textiles and furniture helped define Svenskt Tenn&#39;s distinct aesthetic.Pages of colourful imagery, including never-before-seen photographs and drawings from Svenskt Tenn&#39;s archive, reveal an immaculate selection of classic objects, furniture, and textiles, alongside examples of collaborations with contemporary designers including Michael Anastassiades, Lars Nilsson, Luca Nichetto, Ingegerd Råman, and Fornasetti. Designed by the Dutch graphic designer Irma Boom, Svenskt Tenn: Interiors shows how the iconic Swedish brand continues to create objects of the highest quality to improve and enhance everyday life.</td></tr></table>]]></description>
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